Master of Fine Arts in Professional Screenwriting
The MFA in screenwriting online program provides an in-depth study of the art of film, TV, and transmedia writing wherein students learn to create compelling, well-structured stories with memorable characters. Students will also acquire a foundational understanding of how to market themselves and their work in the entertainment industry.
This master’s degree in screenwriting is hybrid format, with the majority of classes delivered online. There is a two-week required on-site residency in Los Angeles. Online screenwriting program candidates develop skills in advanced film, television and/or transmedia writing, the ability to critically evaluate film, television and/or transmedia scripts for practical and commercial outcomes and critical acumen in the area of media studies.
After foundational screenwriting instruction, students may choose one of three advanced tracks: screenwriting, television writing or transmedia writing. Students may take courses within the three areas and produce thesis projects in more than one area. Graduate candidates will complete the program with one feature length screenplay and a second screenplay or teleplay or transmedia project. Other thesis deliverables include an aesthetic statement reflecting their artistic development and a marketing plan and pitch.
The program prepares graduates to work in a variety of capacities in the following fields: commercial, industrial or independent film, TV and transmedia writing and/or development, digital entertainment media and communication, and educational or instructional media programs. Course work covers screenwriting, television writing, transmedia writing (graphic novels, comics, web narratives, etc.), script analysis, script development, pitching and marketing as well as business aspects of entertainment programming. Internships and special extra-curricular electives are also available.
Upon completion of the Master of Fine Arts in Professional Screenwriting program, students will possess the knowledge and skills needed to evolve their writing to a professional level, participate in ongoing scholarly and critical discussions of issues in the field of film, TV and Transmedia writing and present their work to the entertainment industry. The MFA also provides the graduate with the degree required to teach at the university level.
Application Requirements and Program Prerequisites
To be considered for admission, prospective students must meet the University graduate admission requirements listed in the catalog under general information for graduate degrees. There is no separate application process for this program.
Students are expected to possess or have reliable access to a high-speed Internet connection including an email account outside of National University for course projects and assignments. Students need to have access to a DVD rental and/or streaming service or other reliable source for obtaining access to films, television shows and transmedia. Students must have personal access to a computer that meets the system requirements for viewing films and film clips online and other relevant media.
Students enrolling in the program are expected to have written and spoken proficiency in English at the graduate level. If in doubt about your English language skills, please contact the faculty advisor for the program.
The Professional Screenwriting MFA is a rigorous, graduate level program. Prior to entry it is expected that students have acquired the knowledge and skills needed to write, evaluate and engage in critical thought at the graduate level. Proficiency in basic writing skills such as spelling and grammar is a must. Prospective students are expected to have written and spoken proficiency in English at the graduate level.
Students who do not have such experience or skills should take appropriate courses before entering the program. It is recommended (although not absolutely required) that students have had undergraduate courses or experience in one or more of the following areas: communication, film, television, English, literary or media studies, history, philosophy, psychology or sociology or other relevant areas.
Faculty and Content Creators
Instructors bring the benefit of professional film, television and other industry experience to their teaching. Faculty, content creators and guest speakers include writers, directors, executives, agents, producers and others who have worked in affiliation with high level industry entities such as (but not limited to); DreamWorks, Warner Bros., Lawrence Bender Productions, Cruise/Wagner Productions, HBO, Showtime, PBS, Sony Pictures, ABC, CBS, NBC, Miramax, Disney and Fox Studios.
Faculty, content creators and guest speakers include Emmy, Humanitas and Nichols Fellowship award-winning writers who have worked on such diverse projects, as Wall Street, Masters of the Universe, Little Fockers, Ray, Life As We Know It, Red Eye, Disturbia, Source Code, Snow White and the Huntsman and TV series such as From Earth To The Moon, Band Of Brothers, Deadwood, The District, Nip/Tuck, Picket Fences, Law And Order, Camarena Drug Wars, among many others, and transmedia projects such as, The Adventures of Kavalier and Clay (graphic novel), and Todd, The Ugliest Kid on Earth.
Core and Advanced Core
The program is offered as a hybrid, online/on-site low-residency program. All core courses, electives and advanced courses with studio practica are delivered online. After completing the core sequence, students may elect one of three Advanced Focus Tracks: Screenwriting, Television Writing or Transmedia Writing. Each track has three required courses that must be taken to fulfill that track. In addition, students may select two elective courses from the electives list. A three-course thesis sequence completes the program requirements.
The residency component of the program consists of two courses which are taken concurrently. One is online and one is on site at the Los Angeles campus.
The residency courses provide students with the opportunity to learn in a collaborative environment which introduces them to working professionals. Students will synthesize crucial elements of film, TV and transmedia writing, pitch presentations and learn how business is conducted in the entertainment community. The two residency courses are educational opportunities to create relationships with professors and industry professionals and learn about the entertainment industry by direct experience. They are not designed to serve as venues for sale of creative material, for obtaining agent or manager representation or to procure employment.
To excel in the Master of Fine Arts in Professional Screenwriting thesis sequence, the successful MFA candidate must demonstrate her/his ability to work under the guidance of a thesis advisor(s). Students must have a minimum 3.0 GPA upon entering thesis. All prior required courses must be taken before thesis can begin.The thesis advisor and/or thesis committee determines whether or not the student has met or exceeded the qualification requirements for the Professional Screenwriting Master of Fine Arts. The final thesis course is IP (In Progress) grade eligible. A candidate must satisfactorily complete each thesis course within the maximum specified time period. A candidate who is unable to satisfactorily complete each course during the specified time period must retake the course. Any thesis course that receives an unsatisfactory evaluation must be repeated. For thesis portfolio, students are expected to complete the following under the guidance of thesis advisor(s):
- Independently develop, write and revise two projects (i.e., screenplays and/or TV scripts and/or transmedia projects and/or critical paper)
- Independently develop and write an aesthetic statement documenting the artistic choices that resulted in the student’s thesis projects and their overall evolution as a writer
- Create a marketing plan and audio or video pitch to introduce the student’s work to the entertainment community
The Professional Screenwriting thesis portfolio is developed during a three-course sequence that may last from 6-12 months and students should anticipate the longer timeline.
For thesis portfolio students are expected to accomplish the following under the guidance of thesis advisor(s):
All fees are financial aid eligible.
Additional fees may apply to residency workshops including purchase of film or tour tickets, expendables, supplies and some meals. These can vary and are determined at the time of each on-site residency. Costs for accommodation and transportation are not included in the tuition or fees. Students are responsible for arranging their own accommodations and transportation as well as any meals not provided. For more information contact the program lead faculty advisor.
Thesis fees provide compensation for committee member's time and attention to thesis projects.
Program Learning Outcomes
- Differentiate critical points of view in the analyses and interpretation of films, television shows, screenplays and other entertainment content.
- Using films, television programs and transmedia IP’s analyze the principles of writing in these varied media.
- Demonstrate critical reflection and viewpoint in evaluating the work of peers and others.
- Generate original and/or adapted narrative screenplays, TV Scripts or transmedia IP’s employing the principles of these respective disciplines through various stages from introductory level to mastery.
- Articulate a critical understanding of self in relation to creativity and the influence of cultural and societal issues.
- Analyze and/or design and generate a marketing plan/pitch using the principles of entertainment industry marketing.
- Collaborate with others in achieving writing and/or pitching goals.
- SCR 650 Script Reading and Coverage
- SCR 679 Cinematic Writing
- SCR 680 Screenwriting I
- SCR 680P Screenwriting I Practicum
- SCR 681 Screenwriting II
- SCR 681P Screenwriting II Practicum
- SCR 671 Character and Dialog
- SCR 682 Adv Screenwriting Workshop
- SCR 682P Adv Screenwriting Practicum
- SCR 670 Dev-Prod Writing
- SCR 670P Development/Production Practic
- SCR 675 The Business of Screenwriting
- SCR 683 Adaptation Workshop
- SCR 683P Adaptation Practicum
- SCR 665 Introduction to TV Writing
- SCR 684 TV Pilot/Series Writing Worksh
- SCR 684P TV Writing Practicum
- SCR 668 Introduction To Transmedia
- SCR 685 Transmedia Writing Workshop
- SCR 685P Transmedia Writing Practicum
- SCR 665 Introduction to TV Writing
- SCR 667 Marketing for Film & TV
- SCR 668 Introduction To Transmedia
- SCR 692 Graduate Internship
- SCR 693 Guided Study
- SCR 693P Guided Study Practicum